U2, le 2005-04-01 à Anaheim, CA (Arrowhead Pond), USA
EX+ MTX
[IEM > HDD] + [IEM > HDD] > mtx > FLAC
Sennheiser 300 G3 > Nomad JB3 // sharebear
u2
04-01-2005 + 04-02-2005
Arrowhead Pond Arena
Anaheim, CA

Source:
1. IEM Reciever > Nomad JB3
2. IEM Reciever > Nomad JB3

Taped, mixed, and produced by Sharebear
4-1 is mix3, 4-2 is mix4

Time alighned and mixed in Adobe Audition.

April 1, 2005 - The L&P Soundcheck
01. Mysterious Ways #1
02. Warm-Up
03. Mysterious Ways #2
04. Mysterious Ways #3
05. Mysterious Ways #4
06. Talk
07. Love and Peace Intro #1
08. Talk
09. Love and Peace Intro #2
10. Talk
11. Love and Peace #3
12. Talk
13. Love and Peace Intro #4
14. Talk
15. Love and Peace Intro #5
16. Talk
17. Zoo Station Intro #1
18. Zoo Station Intro #2
19. Talk
20. Zoo Station #3
21. The Fly
22. Drums

April 2nd, 2005 - Bono loves Melissa Jones soundcheck
01. Intro
02. Mysterious Ways
03. The Fly
04. Zoo Station
05. City of Blinding Lights

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A fun doubleheader of soundchecks from early in the Vertigo tour. After the first two San Diego shows, looks like they wanted to try and shake things up a bit. I remember being pretty suprised about shaking up the opener, which they haven't done since the 80s (somebody correct me?). Anyways, you can hear all the rehearsal organizing in all its detail here. The band was ready to roll early but Bono was AWOL, so Edge had the crew fire up Bono's vocal track from Sydney 1993 for Mysterious WAys. There was actually twenty minutes of dead air between MW#1 and the Warm-up, but I snipped that out. Luckily Bono shows up partway through MW#3, even dueting with himself. Some good quips and Bono lecturing during the rehearsal.

Night two was a more traditional soundcheck, some basic takes of songs and keying things in. Again, they used the Sydney track for Mysterious Ways. Both checks spread out nice and snug onto two CDs if you split the 4/1 check after the L&P tracks.

Please don't sell this recording in any way - no cash for blanks, 2:1s, or any other form of "getting paid for your time". Just share it freely.

Please do not attempt to remaster this recording and spread it around. There is little to no point of trying to compete with the original processing. If you need to re-eq it for your own listening pleasure, that's fine, just don't spread it around.

If you're going to destroy the sound of some ultra-spiffy high-end rigs by encoding and spreading them via mp3's, please keep them on your own computer and not dilute the tradepool. And I would really appreciate not seeing this sendspaced, ysi'ed , torrented etc all over the web in 17 different formats.