Snow Patrol, le 2009-09-13 à Chicago, IL (Soldier Field), USA
EX+ MTX
[IEM > CF] + [CF] > mix > FLAC
IEM : Stereo Receiver > Edirol R-09 // Sharebear
AUD : AT831's > battery box (107 Hz) > Edirol R-09 // JustAGirl
AUD : AT831's > battery box (107 Hz) > Edirol R-09 // JustAGirl
Snow Patrol
Soldier Field
Chicago, Illinois
September 13, 2009
---
Source 1 by hoserama:
IEM Receiver > Edirol R09 (24bit/44.1khz)
Source 2 by JustAGirl
Source: AT831's > battery box (107 Hz) > Edirol R-09 @ 16/44.1
Transfer: WAV > Screenblast Sound Forge 7.0 > CDWave > Flac Frontend
--
Mixed by Hoserama/Sharebear
Wave editing + time alignment done in Adobe Audition 3.0.
Mixing done in Nuendo 3. Used Waves plugins + Ozone 4 + Slate FG-X for effects
Tracked in CD Wave.
Flac'ed using Trader's Little Helper
This is Mix Version 2.0
--
Disc 01:
01. Intro
02. If There's A Rocket Tie Me To It
03. Chocolate
04. Hands Open
05. Shut Your Eyes
06. Run
07. Chasing Cars
08. Crack The Shutters
09. Open Your Eyes
10. You're All I Have
NOTES:
Snow Patrol opened both nights of the U2 360 tour. I listened in on some of the soundcheck for night 1, but did not record them that night. Decided to roll something for night 2.
I recall there being 4 feeds, but only two sounded good. There was this one and what was probably the lead singer. I suspect this is the bassist feed, with loud drums. It's pretty well balanced, although there is the cowbell on most tracks. It's not too bad in my ears, but may not be for everybody. I probably should have ran both feeds into my four track, but was more focused on having everything functional for U2.
I've been playing around with some new effects and mixing tactics. This is more of an experiment sound-wise. so healthy feedback would be appreciated. The mix is mostly the IEM with just a smidge of the AUD in there to give a hall echo.
Since I'm basically screwing around with the sound, I'm doing something I very rarely do. I'm also attaching the raw 24/44.1 IEM file, so if anybody else wants to take a stab at it, knock yourself out. Just don't remaster my mix--start for scratch on the IEM file.
---
Please don't sell this recording in any way - no cash for blanks, 2:1s, or any other form of "getting paid for your time". Just share it freely.
If you're going to destroy the sound of some ultra-spiffy high-end rigs by encoding and spreading them via mp3's, please keep them on your own computer and not dilute the tradepool.
Soldier Field
Chicago, Illinois
September 13, 2009
---
Source 1 by hoserama:
IEM Receiver > Edirol R09 (24bit/44.1khz)
Source 2 by JustAGirl
Source: AT831's > battery box (107 Hz) > Edirol R-09 @ 16/44.1
Transfer: WAV > Screenblast Sound Forge 7.0 > CDWave > Flac Frontend
--
Mixed by Hoserama/Sharebear
Wave editing + time alignment done in Adobe Audition 3.0.
Mixing done in Nuendo 3. Used Waves plugins + Ozone 4 + Slate FG-X for effects
Tracked in CD Wave.
Flac'ed using Trader's Little Helper
This is Mix Version 2.0
--
Disc 01:
01. Intro
02. If There's A Rocket Tie Me To It
03. Chocolate
04. Hands Open
05. Shut Your Eyes
06. Run
07. Chasing Cars
08. Crack The Shutters
09. Open Your Eyes
10. You're All I Have
NOTES:
Snow Patrol opened both nights of the U2 360 tour. I listened in on some of the soundcheck for night 1, but did not record them that night. Decided to roll something for night 2.
I recall there being 4 feeds, but only two sounded good. There was this one and what was probably the lead singer. I suspect this is the bassist feed, with loud drums. It's pretty well balanced, although there is the cowbell on most tracks. It's not too bad in my ears, but may not be for everybody. I probably should have ran both feeds into my four track, but was more focused on having everything functional for U2.
I've been playing around with some new effects and mixing tactics. This is more of an experiment sound-wise. so healthy feedback would be appreciated. The mix is mostly the IEM with just a smidge of the AUD in there to give a hall echo.
Since I'm basically screwing around with the sound, I'm doing something I very rarely do. I'm also attaching the raw 24/44.1 IEM file, so if anybody else wants to take a stab at it, knock yourself out. Just don't remaster my mix--start for scratch on the IEM file.
---
Please don't sell this recording in any way - no cash for blanks, 2:1s, or any other form of "getting paid for your time". Just share it freely.
If you're going to destroy the sound of some ultra-spiffy high-end rigs by encoding and spreading them via mp3's, please keep them on your own computer and not dilute the tradepool.