U2, le 2001-05-06 à Pittsburgh, PA (Mellon Arena), USA
VG+ AUD
DAT-M > CDR > FLAC
Core Sound Binaurals > Bass Roll-Off Filter > Sony TCD-D8 // davezidek
'How Is Your Mother For Sugar?'
U2
Pittsburgh, Pennsylvania
Sunday, May 6th 2001
"How is Your Mother for Sugar?" (edited/fixed version)
Taper: davezidek@home.com
Sound Editor: Aaron Cole
Location: Center floor, midway between soundboard and point of heart.
Source: Core Sound Binaurals > Bass Roll-Off Filter > Sony D8
Media: HP DDS-2 120m Data Cartridge
D8 Settings-AVLS Off
Record Speed-LP
Record Mode-Manual
Line in - Recorded whole show at around -12db, record level dial around 4 or 5.
Sound Card - M-Audio Delta 66 sound card w/ digital I/O
Normalized tracks to 90% after transfer to PC
Encoding Software - Cool Edit Pro ver 1.1
Explanation of changes to the original SHNS follow:
Disc 1
Track Length
1. Elevation 5:54.35
2. Beautiful Day 4:39.42
3. Until The End Of The World 5:18.47
4. New Year's Day 5:03.04
5. Stuck Intro 2:04.06
6. Stuck In A Moment 4:37.09
7. Gone 4:55.16
8. Kite 5:12.54
9. New York 5:54.48
10. I Will Follow 4:54.38
11. Sunday Bloody Sunday 7:26.21
12. Sweetest Thing 3:57.53
13. Band Intros 4:08.24
14. In a Little While 4:49.01
15. Angel of Harlem 3:33.06
Disc 2
Track Length
1. Stay 6:19.72
2. Bad 7:13.42
3. All I Want Is You 0:30.68
4. Where the Streets Have No Name 5:58.64
5. Mysterious Ways 6:32.06
6. The Fly 8:45.60
7. Bullet The Blue Sky 7:36.60
8. With Or Without You 5:33.14
9. Pride 6:38.73
10. One 6:24.41
11. Walk On 7:35.51
12. Final Comments 1:27.63
I removed the clicks between tracks 4 and 5 and between I Will Follow and Sunday
Bloody Sunday on Disc 1. Disc 2 contained clicks between most of the tracks, 'cept
maybe the first two tracks (I don't remember). I had to reindex all of disc 2 due to the clicks
between the tracks (I probably should have done a better job indexing Streets, since it
seems to start before the track marker . . . sue me). I feel people editing these shows might
want to take precautions when using Cool Edit. I've been told (but can't confirm) some
versions of this program places clicks around track markers.
U2
Pittsburgh, Pennsylvania
Sunday, May 6th 2001
"How is Your Mother for Sugar?" (edited/fixed version)
Taper: davezidek@home.com
Sound Editor: Aaron Cole
Location: Center floor, midway between soundboard and point of heart.
Source: Core Sound Binaurals > Bass Roll-Off Filter > Sony D8
Media: HP DDS-2 120m Data Cartridge
D8 Settings-AVLS Off
Record Speed-LP
Record Mode-Manual
Line in - Recorded whole show at around -12db, record level dial around 4 or 5.
Sound Card - M-Audio Delta 66 sound card w/ digital I/O
Normalized tracks to 90% after transfer to PC
Encoding Software - Cool Edit Pro ver 1.1
Explanation of changes to the original SHNS follow:
Disc 1
Track Length
1. Elevation 5:54.35
2. Beautiful Day 4:39.42
3. Until The End Of The World 5:18.47
4. New Year's Day 5:03.04
5. Stuck Intro 2:04.06
6. Stuck In A Moment 4:37.09
7. Gone 4:55.16
8. Kite 5:12.54
9. New York 5:54.48
10. I Will Follow 4:54.38
11. Sunday Bloody Sunday 7:26.21
12. Sweetest Thing 3:57.53
13. Band Intros 4:08.24
14. In a Little While 4:49.01
15. Angel of Harlem 3:33.06
Disc 2
Track Length
1. Stay 6:19.72
2. Bad 7:13.42
3. All I Want Is You 0:30.68
4. Where the Streets Have No Name 5:58.64
5. Mysterious Ways 6:32.06
6. The Fly 8:45.60
7. Bullet The Blue Sky 7:36.60
8. With Or Without You 5:33.14
9. Pride 6:38.73
10. One 6:24.41
11. Walk On 7:35.51
12. Final Comments 1:27.63
I removed the clicks between tracks 4 and 5 and between I Will Follow and Sunday
Bloody Sunday on Disc 1. Disc 2 contained clicks between most of the tracks, 'cept
maybe the first two tracks (I don't remember). I had to reindex all of disc 2 due to the clicks
between the tracks (I probably should have done a better job indexing Streets, since it
seems to start before the track marker . . . sue me). I feel people editing these shows might
want to take precautions when using Cool Edit. I've been told (but can't confirm) some
versions of this program places clicks around track markers.