Neil Young, le 2003-06-13 à Manchester, TN (Bonnaroo Music & Arts Festival), USA
EX MTX
[DSBD > DAT-M] + [DAT-M] + [DAT-M] > CF > mtx > FLAC
SBD : DSBD
AUD 1 : DPA 4011s > Sony PCM-M1 // Mark Lynn
AUD 2 : Neumann SKM-140 > Sony TCD-D7
Neil Young & Crazy Horse
Bonnaroo Music Festival
Manchester, TN
June 13, 2003

SBD + AUD Matrix - 3 Source Mix
(40%SBD + 30%AUD1 + 30%AUD2)

Disc 1

01 [03.29] Intro
02 [21.46] Love To Burn
03 [06.57] Sedan Delivery
04 [08.28] Powderfinger
05 [07.54] Hey Hey My My
06 [12.11] Cortez the Killer
07 [08.48] Fuckin' Up
TT [69:36]

Disc 2

01 [07.534] Jam >
02 [21.01] Like a Hurricane
Encores
03 [08.00] Be the Rain
04 [04.59] Cinnamon Girl
05 [08.09] Rockin' in the Free World
06 [07.12] Roll Another Number
07 [17.52] Down By The River
TT [74:49]

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Band Info

Neil Young: Vocals, Guitar
Frank Sampedro: Guitar, Keyboards, Vocals
Billy Talbot: Bass, Vocals
Ralph Molina: Drums, Vocals
Pegi Young: Background Vocals
Nancy Hall: Background Vocals
Susan Hall: Background Vocals
Twink Brewer: Background Vocals

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Source Info

SBD
SBD/REMASTERED, Transfered, Tracked & Seeded By:
Michael Wilker mwilker-at-comcast.net
Source: DSBD/DAT @48k / Remaster: Tascam DA-45hr~>
BehringerDEQ24/96 Ultracurve pro*~>
*(3.0db boost overall + 5.0db boost below 160hz
+ add. boost of 2.0db below 60hz)
Lexicon 480~> ART212 Dual COmpressor~>
Furman Limiter Compresor~> Gatex Noise Gate~>
Furman Pro Conditioner~> Protools 24 @ 24/96~>
CDWave(track)~> TLH(sbe)~> Flac(level 8)

AUD1
Taper: Mark Lynn
Source: DPA 4011s > Luminous Monarch XLRs > Lunatec V2 >
Sonic AD2k+ @48khz > Sony M1
Location: FOB as DFC as possible, 3/4 between the board & stage)

AUD2
Taper: ?
Source: Neumann SKM-140 > Lunatec V-3 > D7
Location: FOB
Transfered: PCM-R500 > M Audio 410 > Inspiron 6000 > CEP 2.0 (48k)
CEP 2.0 (48k->44.1k) > CDWave > FLAC Frontend
Patched & Seeded by JMC

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out. Both audience
recordings were nothing short of spectacular and the transfer
jobs to digital were all very well done.

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Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave. CEP2.0 was used to align &
synch all of the sources. SF8.0 was used for the EQ setting
pre mixdown. This is a 40% SBD, 30% AUD1, 30% AUD2 mix.
- Mixed by dan@am-dig.com
- Shn conversion 11-JUN-2004
- Remix and FLAC conversion 12-MAY-2007
- *Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
CD Covers are modifications of art created by Chico Neto.

---------------------------------------------------------
Notes

No noise reduction whatsoever was used in this mix. The
SBD does have some sort of line level buzz/hiss that
changes as well as increases, decreases and disappears
throughout. At times it is not even noticeable and now
that is in a mix with 2 other recordings it is not at
all bothersome. All attempts to remove this noise has
resulted in undesirable effects like removing some of
the music and/or the induction of digital artifacts.

SBD was missing some of the between song crowd as well
as some stage banter. This is now 100% complete. The
holes were patched with a matrix mix of the 2 AUD sources.
These patches were made using a variety of edits, volume
adjustments, EQing and crossfaded. These patches are
smooth and natural and likely completely undetectable.

SBD was missing a small portion of the feedback ending
to 'Like A Hurricane', some of the between song crowd
cheering as well as some stage banter. This hole was
patched with a matrix mix of the 2 AUD sources. This
patch was made using a variety of edits: volume
adjustments, EQing and crossfaded. These patches are
smooth and natural and likely completely undetectable.

SBD was missing a portion of the between song crowd
cheering between 'Roll Another Number' and 'Down By The
River. This hole was patched with a matrix mix of the
2 AUD sources. This patch was made using a variety of
edits: volume adjustments, EQing and crossfaded. These
patches are smooth and natural and likely completely
undetectable.

The disc break is seamless and the 2 disc and be rejoined
seamlessly on longer media.

This version is approx 5 minutes longer than all other
circulating SBD versions.