U2, le 1987-04-18 à Los Angeles, CA (Sports Arena), USA
VG+ AUD
ANA-M > DAT-M > CDR-M > FLAC
Aiwa CM-30 > Sony WM-D3
U2
Sports Arena
Los Angeles, CA
April 18, 1987
Master
Recorded by "Brother" KM in association with JEMS
Aiwa CM-30 mic > Sony WM-D3 Pro Walkman
Analog Master Cassette transferred Nakamichi CR-7A > DAT > Peak 5.0 > master CD-R > FLAC
Where The Streets Have No Name
I Will Follow
I Still Haven't Found What I'm Looking For
MLK
The Unforgettable Fire
Bullet The Blue Sky
Running To Stand Still
Exit
In God's Country
Sunday Bloody Sunday
Maggie's Farm
Bad
October
New Year's Day
Pride (In The Name Of Love)
With Or Without You
Gloria
People Get Ready
40
Of the three gigs the esteemed Brother KM recorded in the spring of 1987, this one would rank third in terms of sound quality, though in listening again today I am impressed with 1) the bass response of the cheap, little Aiwa mic and 2) the passion and enthusiasm of the very vocal crowd. Unlike the night before, there are no notable cuts here though the very beginning of "Maggie's Farm" and "40" are clipped on the master as they are here. In all, a pretty darn good recording from those heady early days of the Joshua Tree tour considering he was sitting two-thirds of the way back.
Butterking for JEMS
Sports Arena
Los Angeles, CA
April 18, 1987
Master
Recorded by "Brother" KM in association with JEMS
Aiwa CM-30 mic > Sony WM-D3 Pro Walkman
Analog Master Cassette transferred Nakamichi CR-7A > DAT > Peak 5.0 > master CD-R > FLAC
Where The Streets Have No Name
I Will Follow
I Still Haven't Found What I'm Looking For
MLK
The Unforgettable Fire
Bullet The Blue Sky
Running To Stand Still
Exit
In God's Country
Sunday Bloody Sunday
Maggie's Farm
Bad
October
New Year's Day
Pride (In The Name Of Love)
With Or Without You
Gloria
People Get Ready
40
Of the three gigs the esteemed Brother KM recorded in the spring of 1987, this one would rank third in terms of sound quality, though in listening again today I am impressed with 1) the bass response of the cheap, little Aiwa mic and 2) the passion and enthusiasm of the very vocal crowd. Unlike the night before, there are no notable cuts here though the very beginning of "Maggie's Farm" and "40" are clipped on the master as they are here. In all, a pretty darn good recording from those heady early days of the Joshua Tree tour considering he was sitting two-thirds of the way back.
Butterking for JEMS